Researcher by training, artist by instinct—building systems that move, negotiate, and occasionally surprise their makers.

I build minds for machines that move.

I lead research on heterogeneous multi-robot systems—humanoids, quadrupeds, drones, wheeled platforms—each carrying its own grammar of motion, its own way of sensing the world. My work lives in the liminal space where radically different bodies learn to negotiate, cooperate, and betray. The question is never can they coordinate, but what emerges when they do—something that begins to resemble intention, or trust, or its opposite.

Trained in Swedish winters, now based in Shenzhen, I move between the lab and the gallery. My installation Game Theater turns reinforcement learning into a meditation on watching and being watched. Whether through a published paper or a fog-filled stage, I look for the same thing: the moment an algorithm stops being a tool and starts becoming something stranger—something closer to life.